the soundtrack for our insecurities - adam lee miller and nicola kuperus are back as adult. with a new album. limited pressing on opaque green vinyl, download code included.

the soundtrack for our insecurities - adam lee miller and nicola kuperus are back as adult. with a new album. regular pressing on black vinyl, download code included.

christian bloch delivers two strong and sought after detroit influenced tracks on this massive release that marks his return to kontakt. diana was first featured on a very limited white label on christians own label funque dropping and it was intended for a release but due to circumstances it never happened. the legendary substance aka dj pete gives diana a massive and condensed berlin dub treatment while vc-118a takes the amazing contruct straight to dub-electro land. limited coloured vinyl.

freestyle jazz meets electronic club sounds - up-and-coming london trio still moving present their debut ep.

future sounds from zansibar on 7 inch vinyl.

incl lapucci, francis smith, rob amboule & manuel schatz and ish

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000< the rationale behind the series is based on each piece of music representing emotional response to the processes feelings and self- awareness of studying psychology and counselling and becoming more aware of the multiple defences behaviours and personality traits i have. each release will be themed around a particular part of my academic journey and include media to accompany the music.

the must have dj tool is back for a third chapter

following 3 maxis on hilltop imprint and the label construct re-form, the producer fareed formerly of the society of silence duo (versatile, concrete music) returns on the new label, maze, dedicated to experimental breaks and cinematic soundscapes. this first ep, with irregular rhythms and metallic sounds, loses us in the meanders of a jungle and transports us into a world borrowed from mysticism.

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000< the rationale behind the series is based on each piece of music representing emotional response to the processes feelings and self- awareness of studying psychology and counselling and becoming more aware of the multiple defences behaviours and personality traits i have. each release will be themed around a particular part of my academic journey and include media to accompany the music.

decks tipp!!

a configuration of self is a hypothetical construct denoting a coherent pattern of feelings thoughts and preferred behavioural responses symbolised or pre-symbolised by the person as reflective of a dimension of existence within the self. >thorne and mearns, 2000<

includes poster & download! second release on veyl. an experiment in noise & body music. specialist maenad veyl returns with six tracks of relentless electro-influenced heat full of broken 808s, ai-generated polyrhythms and indecipherable vocals.

sold out on pre-order - repress due in august dj zozi & roza terenzi join forces across the globe to present the debut release for planet euphorique, d. tiffany s new imprint. recorded between their respective studios in vancouver and melbourne over the summers of 2017-2018, they fuse intercontinental sounds, heavenly pads, intricate bleeps and breakdance-worthy drums to construct elevated dancefloor impressions.

dark matters label head amirali returns with the expertly crafted odyssey ep, employing his vital understanding of space and texture to construct a highly emotive release featuring a remix from fort romeau.

22 digit ltd is the vinyl only off shot of uk based 22 digit records, and this new release is upfront house music in the style of artists like mr. g. this 22 digit ltd release is a collaboration between uk stalwart moodymanc and label boss william welt with solo remixes from appleblim and alland byallo. moodymanc also known to many as dubble d, is a manchester based artist who boasts seminal releases on labels including tsuba, local talk and 20/20 vision among many others of a similar calibre. william welt is a young artist who now based in manchester, cut his teeth in newcastle upon tyne, and has releases on labels including traum and construct. the first of the remixes comes from appleblim, whose bass heavy sound has been a regular feature of imprints inclouding r&s records, aus music, tempa and skull disco. second of the remixes comes from alland byallo, who has previously released on labels including third ear, get physical, poker flat, moodmusic, dirt crew and rawax.

kim ann foxmans firehouse imprint storms into 2018 with an extra special re-release of the 1994 rave classic scott richmond and john selway aka psychedlic research lab, keep on climbin.the package features both original mixes alongside two outstanding remixes from deetron and kim ann foxman. mix 1 and mix 2 sound as glorious now as they did when they were released. mix 1, a bold, breakbeat construct, chopped vocal and emerging acid lines. mix 2 places four to the floor. it’s deeper with added percussion, soft chord stabs and an almighty breakdown to the drop. deetron makes his debut on firehouse with a tough, grinding version, underpinned by his signature, gnarling bassline sound. kim ann foxman incorporates acid lines to her revision. it builds intensely from start to finish, using angela johnsons iconic vocal loop to perfection.

central to the israeli club scene, deepa & biri have long been defying expectations even within a community they helped construct. serving as resident djs, activists and bookers for tel avivs legendary barzilay club, the pair helped build a transcendent club scene. hugely influential artists such as robert hood, derrick may, rødhad, ben klock and moritz von oswald passed through the club, enjoying legendary crowds and what they could surely sense was a genuine air of anarchy, rebellion and unadulterated rave pleasure. as the duo held down dozens of parties with dozens of djs, there was no ‘eureka moment for their emerging sound, just a steady stream of brilliant, inspiring electronic music, much of which left an indelible imprint on the pair. now based in berlin, for deepa & biri, things are much the same, even if the landscape and the city is different. always rooted in the fertile ground between machines and emotion, on their second full-length lp, ‘dominance, the duo demonstrate their unique grasp of the sensitive, unfolding relationship between man and machine. steadfast in their insistence never to remain in one lane in terms of their sound, ‘dominance flawlessly segues between forcefulness and weightlessness. from beginning to end, this is not a record afraid to show its teeth with an uncompromising, instantly recognisable techno palette that kicks the foundations of any sound system with menace, anger and determination, particularly on tracks such as the dense ‘voltage and pulsing throughout the more industrial flourishes of ‘ecole de nancy and ‘seeking solace.

pærer, fresh label from france, influenced by detroit pioneers, uk experiments and berlin vibe, aims to promote the deep and experimental sides of techno. the first ep is a distant trip into a spatial atmosphere, combining percussive beats and perfect raw mixtures. an entrance in a deepness and grainy world, where you can feel the ground humming... include tracks by voice of sylenth (oscil8), untitled signal, jiman (nowhere, forsaken cell, singular) and a remix by birth of frequency (construct re-form, enemy records, concrete). enjoy!

as the wind whistles through your hair, everything passes you by in a blur. faster and faster you go, faster and more terrifyingly into the abyss you fall. you scream with a mixture of panic and joyful abandon half wanting this to never end but knowing that it will anytime now: a smile creeps across your face. and as it ends, you breathe a sigh of relief, wistfully remembering with powerful emotive accuracy before hurriedly joining the back of the queue for another go - after all, it s just a ride. life is very much like the blitzbahn . it goes up and down, round and round and for much of the ride, we never know what s going to happen. here on his fifth studio album, oliver schories explores all the fun of the fair across 13 expansive cuts that showcase his incredible knack for straddling that house/techno mid-point with consummate ease. some artists take years to craft their albums, agonising over every detail before, frustratingly, deleting the whole project and starting again. oliver, however, is as prolific as he is confident of his ability to construct the kind of dance floor bombs that have helped him to build a significant head of steam in the underground.

continuing its cosmic techno research path, subosc is happy to present the latest work from hydergine. known for his deep and dub influenced techno releases on labels such as phorma, modelisme, knotweed and ranges, he delivers two ambient influenced techno tracks with a mental and dancefloor attitude. driving grooves, pulsating synths and melancholic melodies are the main elements of the original tracks, which journey narrates about cosmic energies, self healing and mental stimulation.
the “omega point” is, at fact, a spiritual belief and a scientific speculation that everything in the universe is fated to spiral towards a final point of divine unification. “light from light” puts emphasis on the eternal and bright light of wisdom, which allows to think and act using knowledge, experience, understanding, common sense, and insight. wisdom leads a person to overcome feelings of helplessness, powerlessness, anger or aggression by non-understanding of external elements and internal acknowledgement. the ep includes two immersive, dreamy, enlightening and spaced-out electro infused versions by artefakt (delsin / field records) and 2030 (construct re-form / clft).
already supported by svreca, etapp kyle, abstract division, quail, leghau, kessell, alfredo mazzilli, nihad tule, roberto clementi, shaded explorer, distant echoes, unbalance…

7th storey projects is pleased to welcome back the myor massiv head honcho for his 3rd release on our label. earlier this year, coco bryce travelled to tokyo and osaka for a small series of gigs. thoroughly impressed by his experiences there, upon returning home, he immediately took to crafting a slew of jungle and hip hop tracks, heavily influenced by everything he d seen, heard, felt and tasted in the land of the rising sun. the ep kicks off with its title track, ayakashi. dark, fierce and mysterious like the mythical creatures it was named after, it builds up slowly, utilizing a combination of chopped up japanese percussion, haunting flutes and hot pants breaks, before switching to full on amen assault mode halfway through the tune. shinjuku is one of tokyos most well known wards, and also the place where coco found the records from which the samples were sourced to construct this number: a turntablism beat/scratch album, and a compilation of traditional work songs, this particular one originating from the gold mines of the island of hokkaido. on the b1 track, kaguya, he takes a more gentle approach: sweet, yet melancholic, like the miyazaki movie of the same name. the ep is rounded off with hotaru, which borrows from an entirely different source of inspiration, namely dj krush s abstract take on boom bap hip hop. shards of mid-90s mo wax are blended with anime samples, making for a solid two and a half minutes of golden era-esque head nodding.

on the corner’s dj tool and eclectic favourite, versus is back for a second instalment. there are some familiar faces occupying this tasty wax and some new comers pushing the needle further-out on the corner. as 2015’s versus sold-out we d already acquired some fresh production talents and sent stems over to new and old friends alike. get your atlases out as we criss-cross the globe introducing you to artists from afar-afield as nairobi, manchester, pune, iringa, detroit, and south london.

30drop records presents the first release of close encounters, the newest and the final concurrent collection of the label. four tracks, four artists and one common goal. the proposal is based on feasible, or better said, future encounters with extraterrestial beings or civilizations from outer space. the idea behind the whole work is to construct a conceptually and musically self-sufficient bundle of tracks developed by several creatives. on this case, dj surgeles, jeroen search, 30drop itself and another label s member, oryx 9, are the manufacturers of this first chapter. dj surgeles has a solid career as dj and producer with, for instance, his releases on something in the sky, the captivating and exquisite label of jeff mills. jeroen search is another well known talented producer with a large discography behind him that opens the ep with a steadfast cosmic shot, -aeon-. -umbra-, a spacey on a firm body track by dj surgeles, takes over from. on the b side, 30drop drops us to a -lunar mission- launched directly from the dance floor and, finally, oryx 9 invites us to a psychedelic floating experience on a distant galaxy -black market-. first contact ep is a massive set of sci-fi techno cuts that you should not miss it!

in the field of minimal house reissues, this is a big deal. perlon main man dimbiman doesn’t appear on wax often, but when he does he makes it count. this early release on baby ford s seminal pal sl was originally out in 1998, when minimal house was a vague concept at best on the most outer reaches of dance music. -iso grifo- itself remains a masterclass of spine-chilling space and perfectly strange sonic matter, while -lava- pushes the notion of reduction dance music to its absolute limit. -round- is an even more immersive affair that hides many subtle layers within its seemingly simple construct. quite simply groundbreaking stuff, and highly sought after so don’t sleep on it.

decks tip!! effervescent in its construct, andrey pushkarev’s photograph ep on his newly founded ‘luck of access’ imprint, is an exploration of the interplay of sounds and personal memories. three tracks of compelling circular beauty curling slandered dub realms in a surreal dream-state of lush, liquid and hazy frequencies.

following some ear-catching manoeuvres across releases like last year s self-released only and lagata , which gained her early fans like bjork and dev hynes (who she supported in the usa), tommy marks klein s deepest plunge yet into the “deep, dark ocean” of her musical imagination on her hyperdub debut. on tommy her vocals play with fifties-esque melodies before switching to familiar tones akin to brandy and rodney jerkins, her live voice and live piano playing filtered through hyper-glitchy and looped production with a loose, internal logic, cutting from angular atonality to pockets of skewered harmony. tommy also steps things up in conceptual terms. its eight tracks are broken down into acts that are rooted in themes of vulnerability, sisterhood and death, threading the chaotic sonics with modern operatic undertones and a shakespearean sense of tragedy. there s a lot of bluster about originality in contemporary uk music and what rises from the noise here is a creative voice who, by her very nature, plays with the construct of what pop is

runemark records comes back with the seventh release and this time it s a perfection from dumming dum and rush midnight and their co-creation three pills into a fist including remixes from atapy, black mami and the first ever remix from ten walls. the original version from dumming dum sets a deep and groovy tone with acidic bass line and the wonderful rush midnight s creamy vocals on top. ten walls has made an official remix that grabs attention from the very start. it s ten-wall-ish bass line, orchestral and emotional breakdown construct dark and epic vibes. a beautiful trip through deepness and back to the dance floor is laid out in black mami s interpretation. and the last but not least remix in the release is a banger from atapy. dance-able as hell and the most energetic composition in the pack. dumming dum - three pills into a fist (feat. rush midnight) is available in vinyl and digital formats. enjoy the music!

2017 repress due to high demand and crazy online prices!! santuri s embaire umeme ep got a worldwide premiere from gilles peterson on a never-ending quest to support and exposure far off musical cultures around the world, the next on the corner releases sees them look to uganda. teaming up with santuri (an east african electronic music innovation project) and soundthread (a creative development non-profit), they have worked alongside the mugwisa international xylophone group with modern recording techniques and further re-arrangement on two remixes. the first, by sam jones, was premiered last week by stamp the wax, and today ushers in the second by alejandro mosso. a thudding kick drum at the first beat aims this one straight towards the early evening dancefloor. working in unison with samples from the giant wooden xylophone and conversations between the musicians, serves to place the track back into its original context and is allowed to settle for a couple minutes, before what sounds like a kora or zither brings a far-eastern twist. with the slow-burning, steady elements of a balearic production and the beguiling hypnotism of steve reich s work this is a big worldwide favourite.

for nearly a decade, raíz and subversive have distributed their vision of dance music on various labels including historia y violencia, electric deluxe, construct reform, droid recordings and their own imprint, vrv. three years into the vrv project, the label heads have decided it is time to expand the roster and showcase artists on a similar plane, producers they know can speak to the sound. the chosen interpreters on this release include dj hyperactive, santiago salazar and voiski.

black vinyl !! new eight track compilation for the tenth release on the delsin cameron series. taking in stronghold names as claro intelecto and vril, as well as former contributors to the series shlomo, artefakt and gunnar haslam. as has been the mission for the series before, theres eye for new talent too - in the names of recent delsin newcomer sentomea, the invariants and cameron. all contributors look beyond the dance floor to offer a mixture of moody and atmospheric sounds, which has resulted in a collection that covers so much stylistic ground.

clear vinyl !! new eight track compilation for the tenth release on the delsin cameron series. taking in stronghold names as claro intelecto and vril, as well as former contributors to the series shlomo, artefakt and gunnar haslam. as has been the mission for the series before, theres eye for new talent too - in the names of recent delsin newcomer sentomea, the invariants and cameron. all contributors look beyond the dance floor to offer a mixture of moody and atmospheric sounds, which has resulted in a collection that covers so much stylistic ground.

jvxta steps up to the plate fresh from his outing with bokhari’s swamp tape series to open the record with dream, an atmospheric and jazzy number, utilising a soulful vocal to construct a cut that is suggestive of a modern day nu groove release. a2 takes it to lusher territory with lucia with swinging hats floating atop cascading rhodes and synth trills, while the flip side delivers a more ominous affair. dark chords ride along the classic, murky garage of midnight, finally leading to the driving drum workouts of zapata’s legitimate - perfect peaktime material.

in context of the first record on schleifen, the abstract theme of eternity and decay is made tangible through dedication and love for detail. ravechild seems to grow four distinct pieces out of same roots, just to forge a whole new construct by uniting the individual cuts. tunes made for a variety of moods and situations.

for nearly a decade, raíz and subversive have distributed their vision of dance music on various labels including historia y violencia, electric deluxe, construct reform, droid recordings and their own imprint vrv. three years into the vrv project, the label heads have decided it is time to expand the roster and showcase artists on a similar plane, producers they know can speak to the sound. the chosen interpreters on this release include drumcell & truncate as cell injection, and silent servant. silent servant remixes raíz’s cored 3 the former sandwell district and current jealous god co-conspirator steps up with a stark composition in which melodic arpeggiation builds over industrial drones and echoing drums. the mix of sound reaches a clear peak, then segues into a calm that’s expertly tooled for mixing. drumcell and truncate remix raíz’s cored 2 droid behavior’s best-known producers take up their cell injection collaboration to hollow out raíz’s “cored 2” for a driving roller with eerie pads and a darker sensibility. subversive remixes raíz’s cored 4 subversive breathes another level of funk into the original, with clanging percussion and a new melodic motif.

very early support from the keen ears of jackmaster, mark archer, dominic capello, fabrice lig and red rackem....
...aaaand we’re back. it’s taken us a little longer than it should have to get this third release together, but oh my was it worth the wait. we’ve rounded up a few of our favourite oddballs to construct the first 2sox compilation release, aptly titled “oddsox vol. 1”.

these deep spaced out techno tracks provide you with a mesmerizing journey into the maze of kryptic universe.

after three years of organizing parties and bringing world-class artists to seattle, secondnature is proud to announce its new label with the release of fugal’s oil panes ep. the debut release from the berlin-based secondnature resident features four original tracks of ambitious, experimental techno along with a remix by semantica records founder svreca. oil panes marks fugal’s unique approach to techno that challenges preconceived notions of convention, structure, and temporality. the tracks collectively construct a cohesive narrative that evokes a mental headspace of its very own. the record will be available on september 5 at many fine vinyl retailers worldwide, courtesy of readymade distribution.

ltd summer 2016 deal.. its a really clever go lucky move that the never resting glückskind founders michael klang and jürgen kirsch got samuel knob on board. the valencia-based producer really knows how twist those knobs to come up with the craziest noises. his skills, honed during his residency times at barraca music and narita club, are perfectly put into use with this crafty release that should have people dancing on the roof tops--naked. samuel, a drummer who jumpstarted his musical career at the age of sixteen in a pop-rock band, is exploring the outer realms of percussive beats, incorporated in a tight yet not at all minimal sounding house construct. inspired by his father who is also a drummer and programmer, he does not hesitate to foray into unknown dimensions, making this eleventh glückskind release a very special piece of black gold

a trailblazing radio 1 show, unparalleled club-nights and a promising label, the 1-800 dinosaur crew are undoubtedly a focal point for all tastemakers alike. with a new 10inch ready for circulation, trim returns with james blake and airhead hinting towards a taster of whats to come. ‘rpg’ seeps with blakes signature off-kilter soul, feeding the subversive nature that trim revels in, whilst the airhead produced man like me, is undeniably anthemic. guided by the distinct-outsider vocal of one the most under-glorified, yet revered mcs in the uk scene, the 1-800 crew continue to construct their own direction.

this ep starts with “stitched-, which begins by a rough & anxious introduction with a drone bass and a dissonance pad. then a steamroller sub bass engaged itself into an insane run drived by a brushing arpeggiated synth and sharpened cymbals. college road, the eponym track is a bright energetic trippy techno track influenced by house grooves & sonorities, for club use (not only). the last track bkr is a live construct track with both hardware and software stuff to create a freaky bouncing groove.

bangin harder techno monster

tresor.283 unveils yet another exceptional debut ep, this time from the hand of zadig. the head of construct re-form had already been initiated to the tresor catalog with the inclusion of panic on the demo tracks #2 compilation, in 2013.
with the stellar hunter he delivers three tracks rich in tradition, matching impeccably to his style, arrangemental magic and masterful set of technique.
between elongated synth pads, high-frequency blips and reversed kick drum sequences coupler with deep hypnotic bass lines, zadig proves to be the talented recipient of an illustrious heritage in techno, carrying it forward with modern application.

earth-based producers julian duron and michael sherburn touch down at 1080p with a massive 12 inch laced with timeless, chilled grooves. earth boys construct each track in a deep haze - vintage house, smooth jazz and breakbeats - compiling moody vocals and analog gear to create their signature, tongue-in-cheek sound. *welcome 2 earth* delivers a range of upbeat melodies and catchy hooks, slants on rising genres such as dad house, brunch house, and millennial jazz that come to fruition by placing fun as the keystone of their studio practice. duron and sherburn frequently collaborate on other projects dust, christian surfer, and todd and *welcome 2 earth* has collaborations from john barclay (dust) and lemon d (planet earth, metalheadz, kickin records). also known for their eclectic dj sets and regular parties at bossa nova civic club, earth boys blaze the streets of nyc with a serious mission, to get the whole universe high as hell.

we are happy to welcome back the swiss producer buraq (bondage music, cyclic) with his his 2nd ep for bondage-music. early in life he discovered his love for music and decided to become a dj in 2005. just half a year after he had bought his first dj equipment he made his debut in nightlife. from day one he enjoyed being in clubs and burning the candle at both ends with party people in different clubs. his youthful enthusiasm quickly rubs off on the crowd and that s how every night with him becomes a great experience. after establishing himself as a dj in the club scene, he decided to construct a music studio and produce his own music. his new record contains the deep and grooving tracks captured, underrated, departed, furthermore we are pleased to bring you with exploited a vinyl only track on b1.

subosc ltd is glad to announce its first release: the sublabel will feature a limited number of vinyl only releases during the year. from the musical perspective it will follow the same concept of the main label, which is focused on timeless detroit/dub techno.
already known for his works on labels such as clft and monnom black, well received and supported by the worldwide scene, the italian artist kaelan signs this first ep demonstrating his effort in delivering classy and timeless techno with a detail oriented attitude.
on the a side, *odissey* is an intense rhythmic techno burner filled with emotional pads, while on the b side *displace* entails a sustained-tempo detoxifying/explorative approach, with classic and detroit influenced pads. as remixers, zadig (construct re-form) re-interprets *odissey* incorporating dense and melancholic atmospheres without any groove loss, while plural (metroplex / separate skills) offers a stripped down version of *displace* with his essential signature sound. enjoy !

sometimes playful, sometimes serious and conceptual sounds that skirmish in a huge construct of 4 tracks. a sizzling noise pops up a straight kick n hi-hat rhythmic and initiates its all good by alek s, the new ep on made of concete

2015 repress! the legendary souldancer refueled! incl jonas kopp remixes